aesa.

caviar nest- sterling silver and pearl- long chain

sadko- brass, pearls and long sterling silver chain

thummin- pink pearls, bronze and sterling silver long chain

urim- grey pearls and sterling silver- long chain

lire- pink pearls, bronze and sterling silver long chain.

pearl tassles- grey pearls and sterling silver

honor- pink sapphire, ruby, bronze and sterling silver long chain.

luisa- pink sapphire, 18k gold, sterling silver

joan of arc- pink sapphire, ruby, bronze and sterling silver long chain.

diana- pink sapphire, bronze and sterling silver chain

narcissus- 18k, 14k, quartz and sterling silver

nest and arrow earrings- grey pearls and sterling silver

this has got to be my favorite aesa collection yet!

my photos do not do it justice, the shapes, weight and muted colors...

so special.

souvenirs- new mexico.

old turqoise rings and handmade medicine pouches.

demitasse.

the ice cutter is the most ostentatious display of a piece of silverware. it is inspired by an early 17th century ice cutter/server when ice was rare and quite the luxury.

14k yellow gold with rose cut diamond bezel in handle.

the summer fruit spoon is the most decadent of flatware pieces. originally made to serve fresh fruit that would have ben considered an extravagance to say the least.

sterling silver with rubies or without.

the good luck spoon is a classic example of a souvenir spoon,

which remains popular in modern days.

sterling silver good luck clover spoon with emeralds.

the marriage spoon's heart shaped bowl was a common design for wedding gift platters given to newlyweds of the early 20th century. the skull couple makes it modern.

14k yellow gold marriage spoon with embellished skull top. diamond and sapphire eyes.

the baby spoon represents the earliest of spoons as gifts for a christening or baby's birth.

hence the expression, "born with a silver spoon in your mouth."

sterling silver baby spoons.

the fairy absinthe spoon was originally designed particularly for famous artist,

bohemian Henri Toulouse Lautrec.

14k yellow gold fairy absinthe spoon with emerald.

14k rose gold fairy absinthe spoon with rose cut diamond.

Los Angeles based designer Rachael White established her fine jewelry line, Demitasse, in 2006. French for half-cup and an emblem of privilege, Demitasse reinvents the opulence of antique tableware and serving pieces into fine jewelry of gold, diamonds and sapphires. In early 2000, Rachael stumbled upon an article about antique silverware that sparked her interest. After months of researching flatware she became convinced people had forgotten what it meant to entertain at home and that food is a luxury that should be cherished as it once was.

“There was a time when the utensil one ate with or the utensil one served with was just as important as what they ate. In those times, people had the same reverence for silverware that we have today for jewelry—a working-class family would save for years to buy an actual silver spoon to feed their children or collect. I wanted to bring back the type of intricate metalwork rarely seen anymore. What better way to do it than with a collection inspired by tableware itself?”

designer- tom scott.

spring 2010

from an article on dazeddigital.com

TOM SCOTT’S NEW HOME

The cult New York-based knitwear designer is creating a new kind of home comfort.

Text by Susie Bubble | Published 05 January 2010

The new generation of knitwear upstarts hasn’t quite spread in New York as it has done this side of the Atlantic, but one designer who has been quietly paving his way through collections that seek to inject the unexpected as well as functionality is Tom Scott. Having studied textiles in Philadelphia, this knitwear designer's presentations always make for memorable fashion fodder, exemplified by last season, where he recreated his version of ‘home’ (his S/S 10 collection is called ‘Home is Where the Heart Is’) at the Chelsea hotel. Models ‘lounged’ about in different domestic situations, in loose knitwear adorned with reconfigurations of bed ruffles, hair nets, air vents and curtains, that seemingly sets a new standard for home comfort attire. Scott has also just recently opened his first store and studio on Clinton Street in New York and will be launching a separate collection of archived styles in new fabrics next year. We spoke to the American knitwear maverick about where home is for him and how he sees his own style of knit.

Dazed Digital: How do you feel the genre of knitwear has developed in recent seasons (as there have been so many emerging designers specializing in knitwear)?
Tom Scott: I hope to challenge the traditional craft of knitting, with concept, shape, and a sense of humour!

DD: How do you go about developing your ideas each season as you always come up with quite innovative ways of presenting?
Tom Scott: My ideas are a sort of stream of consciousness, one thought sort of melds into another, and are usually a collection of ideas that I’m thinking about at the time.

DD: Your pieces have also been exhibited in an art context? Do you purposely blur the boundaries between fashion and art in your collections?
Tom Scott: My background is in textiles so I have always approached my collections more conceptually, but to me clothing is not art. It’s something practical, not intellectual. We recently opened a small shop and studio on Clinton Street and tried to create a gallery like atmosphere, a simple clean environment in which to work and sell the clothes in.

DD: Do you develop new techniques each season or do you focus more on shape and textures?
Tom Scott: I try every season to push the collection in a direction it hasn’t gone in before. Some seasons are more about shapes, and some more about texture and technique. I drive my knitting factory crazy!

DD: Where is home for you (going from your collection title "Home is Where the Heart Is") and did in any way inform the way you design?
Tom Scott: I recently moved for the first time in 10 years to a new apartment in the Lower East Side in NYC and was thinking a lot about the idea of home, so decided to base my spring/summer 2010 collection on the home. I spent a lot of time with my grandmother when I was a kid and thought a lot about her house and a lot of the funny things she has in it, so it was a sort of homage to her house in a way. We made pieces inspired by bed ruffles, sheer drapes, printed bed sheets, valance curtains, terry towels, etc.

Tom Scott now open on 55 Clinton Street, New York

another article here.

look what we've found...